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Slavic fantasy
Slavic fantasy ((ロシア語:Славянское фэнтези)) - fantasy genre, was finally formed at the turn of the 20th and 21st centuries.〔(«славянская» фэнтези: фольклорно-мифологические аспекты семантики 10. 01. 01. Русская литература )〕 Slavic fantasy is the use of Slavic folklore (legends, epics, myths) in general structural rules for fantasy works.〔(Евгений Гарцевич. Славянское фэнтези ). Мир фантастики. #20, 2005. 〕 The term Slavic fantasy broader term Russian fantasy, although these terms are sometimes used synonymously.〔 Slavic fantasy emerged in opposition to the Western fantasy based on Celtic and Norse mythology.〔〔(Сергей Чупринин. Еще раз к вопросу о картографии вымысла. Знамя #11. 2006 )〕 Far predecessor Slavic fantasy can be considered a forgotten writer Alexander Veltman with the novels ''Koschei the Immortal'' (1833) and ''Svyatoslavovych, Hostile Pet'' (1834),〔 but the founder of the modern Slavic fantasy was Yuri Nikitin, a series of novels, ''Three out of the woods''.〔(Борис Невский. Русское фэнтези ). Мир фантастики # 11, 2004〕 The leader of the Slavic fantasy is Maria Semenova with the cycle of novels ''Wolfhound''.〔 It is worth noting that some of the Russian-language writers use Norse mythology (referred k.f.n EA Safron to Western Fantasy〔) - for example Elizabeth Butler's cycle of novels ship in the fjord,〔 and some English-language writers - Ancient pagan folklore (e.g. C. J. Cherryh the novels ''The Mermaid'' (Rusalka, 1989) and ''Chernevog'' (Chernevog, 1990)).〔''Е. В. Жаринов.'' ( Жанр фэнтези в современной англо-американской беллетристике )〕
== Classification Slavic fantasy ==
EA Safron in the classification of the Slavic fantasy uses a common system of classification of fantasy, based on the book by Kagan "Morphology of art. Historical and theoretical study of the internal structure of the art world ".〔 Eugene Gartsevich within Slavic fantasy identified two subgroups: the historic and heroic fantasy.〔 Zhuravlev and J. Zhuravleva Slavic fantasy classified into three areas: historical, heroic and humorous.〔(Фантастические жанры, темы и направления. С. Журавлёв. Ж. Журавлёва. Витязь на распутье: основные направления славянского фэнтези. стр № 94 )〕
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